Allison Crowe

 
Singer/Songwriter
Total Plays: 64
Plays Today: 0
Corner Brook Nanaimo,  British Columbia & Newfoundland
 

Upcoming Shows

Date Venue Location
Nov 27 2009 8:00PM @ Pender Island Community Hall Pender Island, CA
Nov 28 2009 8:00PM @ Alix Goolden Performance Hall Victoria, CA
Dec 11 2009 8:00PM @ St. James Hall Vancouver, AL
Dec 12 2009 7:30PM @ St. Andrew's United Church Nanaimo, CA

About Allison Crowe

Vincent Van Gogh "loved life so bad, his paintings had twice the color other painters had". So sings Jonathan Richman (on Rockin' and Romance).

And that tells you something about musician Allison Crowe.

 

A modern lover of music, blogger Muruch frames it like this: "There's really no way to convey through mere words how much the music... moves me, or how I want other people to listen to and adore it as much as I do. Allison sings with such an intensity of emotion, it's easy to see why she's often quoted as saying 'Why music? Why breathing?'... that kind of artistic passion seems extremely rare these days."

"I love singing for people," says Allison Crowe. "It's a way to connect and share with others. Communication is crucial. Just being able to do what I do, to write and sing and perform, makes me feel not only alive, but incredibly lucky. Knowing at any moment everything could change,

I don't take one second for granted."

Born 27 years ago, on an island, in the harbour city of Nanaimo, B.C., today Crowe's reach is global. The
audience for her music videos and song downloads numbers in the millions.

"Allison Crowe has a voice to fall in love with," says UK music industry journal Record of the Day. "She is from Vancouver Island in Canada, descended from Scottish, Irish and Manx stock. She's exactly the sort of artist who can make serious headway on her own label and that's

just what she's doing."

 

When this phenomenon 'from the islands' reached the mainland she steered a path clear of what Joni Mitchell knowingly calls the record industry’s “style inventions”. With Ani DiFranco as a model of integrity, and Creative Commons licensing changing the "game" for resourceful musicians, Crowe created her own label. Since 2003, Rubenesque Records Ltd has released six critically and commercially successful albums: Lisa's Song+ 6 Songs; Secrets; Tidings; Live at Wood Hall; This Little Bird; and Little Light.

 

"The first thing you notice about Allison Crowe is her voice. Rich and dark, it seems to come from a place most singers can only dream of accessing. Then there are the songs. Filled with raw passion and accompanied by Crowe's eloquent piano playing," writes Clodagh O'Connell (The Courier). Hers is a joyous sound: "Elton John meets Edith Piaf."

 

A sensation at the UK’s John Lennon Northern Lights Festival, Canadian angel Alison Crowe gave one of the weekend's most magical moments," says The Scotsman. Festival Director Mike Merritt describes Crowe as "awesome" and "spine-tingling", noting her performance

“put hairs on the back of your neck! She brought the house down."

 

A true grassroots success, Crowe’s praised not only as a singularly talented songwriter - on themes personal as well as worldly - and as a visceral performer, but, also, as a supreme interpreter of song. Her vital takes on such 21st century standards as Leonard Cohen's "Hallelujah" and Joni Mitchell's "River" are applauded as "truly transcendent" and her singular covers have achieved broad, even mainstream, popularity, featured by BBC Radio, MOJO magazine and a movie trailer for Hollywood blockbuster, The Watchmen. Her Tidings CD, a mix of traditional carols plus songs of joy, peace, and redemption from the secular songbook, is an emerging classic: "music for the season and all time".


"Her voice celebrates the music with a bluesy rock-gospel intensity; her controlled vibrato, silken rasp, and powerful projection rivet your attention. This is no casual background music. be prepared to be amazed," says Hamline University Professor Of Law - and CD reviewer - Carol Swanson. "Every song radiates sincerity, creative flair, and emotional intensity."

”It takes a lot of self-confidence to tackle Aretha (Franklin)'s version of 'I Never Loved a Man...' but Allison does and nails it just as good as the Queen of Soul herself. Her piano playing is equally exquisite," says Bob Muller, curator of song covers at JoniMitchell.com in his review of Crowe’s newest album, This Little Bird. He sums up: "Treat yourself to one of the mightiest talents
on the singer-songwriter scene today."

 

David Powell, Welsh-based tech writes: "I'm listening to 'Effortless' on (Allison Crowe's) This Little Bird album with my Pro-Ject headphone amplifier turned up about a quarter more than on most modern records. It sounds fantastic because unlike most modern records it hasn't had the **** compressed out of it to raise the loudness."

 

Vocalist, pianist, guitarist, songwriter, engineer, producer and arranger, Allison Crowe now lives in Nanaimo, British Columbia and Corner Brook, Newfoundland. From these home-bases, (spanning the full 7000 km breadth of Canada), she tours steadily, earning a reputation for exciting live shows that stir together her original songs with much-loved interpretations in an organic blend of rock, jazz, folk, Broadway, gospel and soul.

 

"Ever wonder what it would have been like to listen to a gifted singer/songwriter from Saskatchewan in a small, intimate hall before she became Joni Mitchell? Don't fret the missed opportunity. There's no need to turn back the clock. Check out Allison Crowe," says Robert Reid in The Record.


"Allison has a special gift that is so very rare in musicians today. She is true to her mind, heart and spirit," says Ross Hocker, long-time public broadcaster with NPR affiliate WGTE. Hocker, whose musical taste embraces Thelonious Monk, Bela Bartok and Charles Gounod, calls Allison Crowe's live performance "the most honest, heartfelt, and directly intimate concert in my entire life."

"In an entertainment world that increasingly genuflects at the altar of instant fame, Crowe seems an anomaly, building her career slowly and carefully," notes Adrian Chamberlain, of Canada's Times Colonist newspaper.

"Soulful. Alive. Joyous. Grievous. Real, true, music is what I want to make," says Allison Crowe.

You can lend an ear...

Allison Crowe's Blog

Allison Crowe's Road Less-Travelled: Timeless Music on Tour
Posted by AllisonCrowe on May 11, 2009
It's been a few years since Nick Hornby, in a New York Times op-ed piece, "Rock of Ages", spoke of "that high-low fork in the road" asking: "Who has the nerve to pick up where Dickens or John Ford left off? ...who wants to make art that is committed and authentic and intelligent, but that sets out to include, rather than exclude?"

An answer is Allison Crowe, creator of such recordings as "Disease", "Skeletons and Spirits" and "Wedding Song" and interpretations of popular music from Leonard Cohen to Pearl Jam and the Loving Spoonful.

This week the Chicago Tribune newspaper named the "5 best versions of Cohen's 'Hallelujah' " and counter-culture blog MIX listed the top "non-shills" in the music business. Allison Crowe is the only artist on both lists. Being ranked alongside Leonard Cohen, John Cale, Jeff Buckley and kd lang for her transcendent, single/first-take, recording of "Hallelujah", and lining up with Ani DiFranco, Janis Ian, Trent Reznor, Radiohead and others for her integrity, is emblematic of Crowe's singular success.

She launched her own record label, Rubenesque Records Ltd., in 2003 and approaches music very differently to the industry standard of recent decades. The wholly independent vocalist and multi-instrumentalist shows you don't need to "play the game". You simply need to make great music. And you need to mean it.

"In a world of copycats and wannabes in the singer-songwriter field, Crowe is a true original and is playing in a league of her own", writes Tom Mureika. In this latest concert review penned for Westcoaster.ca, Mureika, a writer for AllMusicGuide, describes Crowe as an "astonishingly gifted artist" with "a dynamic stage presence - she is at once commanding and enrapturing." Saying: "Crowe is easily the most talented singer-songwriter to burst on the scene in quite some time... There were even times when her compositions came across like a modern day Carole King." Mureika concludes: "Her unique stylings, incredible range of delivery, songwriting chops and knack for interpreting cover tunes sets her apart from her peers".

AMG/Westcoaster.ca's Mureika is reporting on a sound heard coast-to-coast in Canada, where Crowe resides on, both, Atlantic and Pacific shores, and 'round the world live, on the internet and mp3 players everywhere, on Rogers, ATV, and CHUM television, the BBC, CBC radio and more.

From Canadian college radio station CFBX, where Crowe's newest of six CDs/albums, "Little Light" was top of general and specialty charts for weeks running this Spring, (since replaced on the Roots chart by the latest from Neko Case, 'Middle Cyclone'), to audiences numbering in the millions worldwide for her videos on YouTube, and song tracks on such social networking platforms as Jamendo and Last.fm to mainstream outlets iTunes and Amazon, Crowe's appeal bridges the iconoclastic and the populist.

UK audiences heard from Allison Crowe when she was a sensation at the John Lennon Northern Lights Festival in Durness, Scotland (crowned the "UK's Best New Festival' in early 2008). Crowe's performance in the Scottish Highlands, on-stage between Carol Ann Duffy, appointed Britain's Poet Laureate just this month, and Master of The Queen's Music, Sir Peter Maxwell Davies, is the stuff of legend.

Recently, two prominent tributes to Leonard Cohen have featured her song contributions. During a triumphal Beatles Week 2008 concert series, BBC Radio 2 interviewed and recorded Allison Crowe in Liverpool performing "Hallelujah" for its documentary, "The Fourth, The Fifth, The Minor Fall", that explores the many facets of this Leonard Cohen creation. Hosted by Guy Garvey of Elbow, other participants include musicians Imogen Heap and Kathryn Williams alongside producers John Lissauer and Andy Wallace.

MOJO magazine's December '08 issue paid tribute to Cohen with a celebration of his "deep and moving music". Of Allison Crowe's contribution of "Joan of Arc" to its 'All Star Tribute", (featuring Judy Collins, Nick Cave, Martha Wainwright and others), a cover-mount CD titled "Cohen Covered", MOJO says: "Once famously described by the Vancouver Courier as possessing a style akin to 'Elton John meets Edith Piaf', the Canadian singer-songwriter Allison Crowe is renowned for her ability to blend control and melodrama. Certainly she does so on this spirited cover of Cohen's Songs of Love and Hate classic, a track which also powerfully showcases her considerable talent as a fine interpreter of song."

Jeffrey Pitcher, Artistic Director of Theatre Newfoundland Labrador has worked with Crowe on TNL's "Sexy and Dangerous" production in Corner Brook for two years. He says: "No matter where she is in this world, that voice, that conviction, it crosses all borders. She's one of those rare artists that fits into any culture, any community because she is who she is – an incredible talent."

"Ever wonder what it would have been like to listen to a gifted singer/songwriter from Saskatchewan in a small, intimate hall before she became Joni Mitchell? Don't fret the missed opportunity. There's no need to turn back the clock. Check out Allison Crowe," says Robert Reid in The Record (Canada). Longtime WGTE/NPR (USA) host Ross Hocker calls a performance by Crowe "the most honest, heartfelt, and directly intimate concert in my entire life".

Allison Crowe (voice/piano/guitar) and her band-mates, Billie Woods (guitar), Dave Baird (bass) and Laurent Boucher (percussion), embark now on tour - a string of dates that launch in her Atlantic home, Newfoundland this Saturday, May 9, at Bianca's, in St. John's, NL and Wednesday, May 13 at the Arts and Culture Centre, Corner Brook, NL - and take the quartet to a range of European cultural capitals:

23.05.09 - The LOT, Edinburgh, Scotland
25.05.09 - The Halo, London, England
28.05.09 - Aula Carolina, Aachen, Germany
29.05.09 - Jazzbar Vogler, Munich, Germany
03.06.09 - Jazzlokal Mampf, Frankfurt, Germany
06.06.09 - venue/city tba
09.06.09 - Osterkirche, Berlin, Germany
11.06.09 - Divadlo Dobeska, Prague, Czech Republic
13.06.09 - Tunnel-Vienna-Live, Wien, Austria

For music and more info visit: www.allisoncrowe.com
Cruel and Unusual film-makers
Posted by AllisonCrowe on February 01, 2009
Entertainment Weekly ( http://hollywoodinsider.ew.com/2009/01/watchmen-cruel.html ) has an item on The Watchmen movie's director/producer team of Zack Snyder, Deborah Snyder, and Wesley Coller launching a website for their own Hollywood production company.

In the Lounge of Cruel and Unusual Films ( http://www.cruelandunusualdigital.com/lounge.htm ), the creative trio list their pop culture delights - movies, books and music. Sound-wise, they're digging the Jimi Hendrix version of "All Along the Watchtower" and Allison Crowe's Hallelujah cover.

A few years back, a national Canadian news magazine, Macleans, interviewed Allison, asking her favourite, classic, jazz and rock recordings. Her top classic rock picks included Janis Joplin's "Me and Bobby McGee" and the Hendrix version of Bob Dylan's "All Along the Watchtower" - both tracks will be heard in the upcoming Watchmen movie.

Add to these, Cohen's song that's currently sweeping the world, recordings from some all-time fave singers, Billie Holiday and Nina Simone, songwriters, and composers, and, the soundtrack alone appears worth the admission:

Desolation Row - My Chemical Romance
Unforgettable - Nat King Cole
The Times They Are A-Changin' - Bob Dylan
The Sound Of Silence - Simon & Garfunkel
Me & Bobby McGee - Janis Joplin
I'm Your Boogie Man - KC & The Sunshine Band
You're My Thrill - Billie Holiday
Pruit Igoe & Prophecies - The Philip Glass Ensemble
Hallelujah - Leonard Cohen
All Along The Watchtower - Jimi Hendrix
Ride of the Valkyries - Budapest Symphony Orchestra
Pirate Jenny - Nina Simone* (*end credits of the "Tales From The Black Freighter" DVD).

The studio promises these iconic recordings "once heard in the context of the film, will never be thought of the same way again."

Here's wishing the Cruel and Unusual crew great success, and, sending big thanks, as well, for listening to, and sharing, Allison Crowe's music.
 

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